Metaphors in Juan Luna’s Works

A Semiotic-Hermeneutic Analysis

Authors

  • Joseph Reylan Viray Polytechnic University of the Philippines

DOI:

https://doi.org/10.48017/dj.v8i3.2677

Keywords:

Juan Luna, semiotic-hermeneutic, painting, nationalism

Abstract

Juan Luna was a major force of painting tradition in the Philippines particularly in the late 19th Century.  Like his colorful paintings, his life was also interestingly complicated which scholars and historians were fond of studying about.  His paintings are known to be packed with symbolism. In this study, I tried to interpret the painter's works and the intricacies of his life as a nationalist and as a private person.  By employing semiotic-hermeneutic interpretation, an exposition of various symbols embedded in his works and what they signify was made.  As gleaned in the works interpreted, messages and contents were conveyed and made powerful through his visual metaphors. Apparently, Luna concealed his nationalistic ideas and his innermost feelings in his work.

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Author Biography

Joseph Reylan Viray, Polytechnic University of the Philippines

Linked to the Polytechnic University of the Philippines

References

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Viray, JRB. (2014) Spoliarium: Luna’s Futuristic Vision. PUP Monograph Series, Manila: Polytechnic University of the Philippines.

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Published

2023-07-17

How to Cite

Viray, J. R. (2023). Metaphors in Juan Luna’s Works: A Semiotic-Hermeneutic Analysis . Diversitas Journal, 8(3), 2882–2898. https://doi.org/10.48017/dj.v8i3.2677